Aleshea Harris, the playwright-turned-director, has crafted a visually stunning and emotionally charged film, 'Is God Is', that has captivated audiences and critics alike. Her unique cinematic language, inspired by ancient Greek tragedy and the Coen brothers' 'O Brother, Where Art Thou?', showcases her talent for storytelling and visual curation. The film's success lies in its ability to blend mythic elements with a deeply personal narrative, particularly focusing on the experiences of Black women. Here's a deeper dive into the film's themes and Harris' directorial approach.
A Cinematic Journey
Harris' journey into filmmaking was not a straightforward one. As a theater person, she embraced the opportunity when it arose, but her path to directing was not pre-planned. Her background in visual art and theater, coupled with her ability to think in pictures, prepared her for the challenges of translating her play to the screen. The process involved meticulous curation of spaces, colors, costumes, and performances to capture the mythic register of the story.
The financing and production process was a collaborative effort. Harris had to make compromises, such as trimming the boy twin stories, to fit the budget. She found the right balance by casting Kara Young and Mallori Johnson as the twin sisters, Racine and Anaia. Their chemistry and understanding of each other's characters were crucial to the film's success. The visual language between the twins, including their wordless communication and framing, added depth to their relationship.
Exploring Revenge and Black Women's Experiences
'Is God Is' delves into the theme of revenge, but with a unique twist. Harris, a self-proclaimed fan of revenge narratives, wanted to explore the anger and pain experienced by Black women. She draws inspiration from films like 'Kill Bill' and 'Our Father, the Devil', both featuring Black women in pivotal roles. Sterling K. Brown's portrayal of the father adds a layer of complexity, as he navigates between charm and menace. Harris' approach to the character's reveal, with subtle hints and a delayed introduction, keeps the audience engaged and adds to the film's tension.
The final sequence, where the father's true nature is exposed, showcases Harris' mastery of pacing and tension. The use of duration and performance, particularly in the moment when the father slaps Anaia, creates a powerful impact. Harris' intention to freak the moment and subvert expectations is evident, leaving viewers with a lasting impression.
Directing Action and Learning on the Fly
Directing action sequences presented a new challenge for Harris. She and the cinematographer, fight choreographer, and cast worked together to ensure the scenes felt viable and true to the world they were creating. The learning curve was steep, but Harris' determination and adaptability shone through. Her ability to surprise herself and her collaborators with her style and control impressed those around her.
Location scouting was an adventure, as Harris envisioned the film's settings in various locations. The process of dreaming into spaces and using color and locations to enhance the film's atmosphere was crucial. Harris' attention to detail and her ability to create a cohesive world, both on stage and screen, is a testament to her skill as a director.
In conclusion, Aleshea Harris' 'Is God Is' is a remarkable directorial debut, blending personal experiences with a captivating cinematic language. Her approach to storytelling, visual curation, and character development has left a lasting impact on audiences, proving that her talent extends beyond the theater.
